Capturing the character of the human face and figure is something I never tire of. Each mark has to be precise but there is leeway for a hundred variations.


There is something very satisfying about going out into the landscape with an easel and trying to capture the essence of a scene before the light changes and the magic disappears.

Still Life

Juxtaposing objects with different qualities of light and texture is a very direct way of presenting a viewer with a narrative either humourous, confessional or wilfully obtuse or even just a painterly response to an intriguing object. .
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